Ray Bradbury

NYTのNews Alertでレイ・ブラッドベリが亡くなったことを知る。

GERALD JONAS “Ray Bradbury, Master of Science Fiction, Dies at 91” http://www.nytimes.com/2012/06/07/books/ray-bradbury-popularizer-of-science-fiction-dies-at-91.html


少しメモ。


By many estimations Mr. Bradbury was the writer most responsible for bringing modern science fiction into the literary mainstream. His name would appear near the top of any list of major science fiction writers of the 20th century, beside those of Isaac Asimov, Arthur C. Clarke, Robert A. Heinlein and the Polish author Stanislaw Lem. His books are still being taught in schools, where many a reader has been introduced to them half a century after they first appeared. Many readers have said Mr. Bradbury’s stories fired their own imaginations.

Mr. Bradbury was hardly the first writer to represent science and technology as a mixed bag of blessings and abominations. The advent of the atomic bomb in 1945 left many Americans deeply ambivalent toward science. The same “super science” that had ended World War II now appeared to threaten the very existence of civilization. Science fiction writers, who were accustomed to thinking about the role of science in society, had trenchant things to say about the nuclear threat.

But the audience for science fiction, published mostly in pulp magazines, was small and insignificant. Mr. Bradbury looked to a larger audience: the readers of mass-circulation magazines like Mademoiselle and The Saturday Evening Post. These readers had no patience for the technical jargon of the science fiction pulps. So he eliminated the jargon; he packaged his troubling speculations about the future in an appealing blend of cozy colloquialisms and poetic metaphors.

Though his books became a staple of high school and college English courses, Mr. Bradbury himself disdained formal education. He went so far as to attribute his success as a writer to his never having gone to college.

Instead, he read everything he could get his hands on: Edgar Allan Poe, Jules Verne, H. G. Wells, Edgar Rice Burroughs, Thomas Wolfe, Ernest Hemingway . He paid homage to them in 1971 in the essay “How Instead of Being Educated in College, I Was Graduated From Libraries.” (Late in life he took an active role in fund-raising efforts for public libraries in Southern California.)

Mr. Bradbury referred to himself as an “idea writer,” by which he meant something quite different from erudite or scholarly. “I have fun with ideas; I play with them,” he said. “ I’m not a serious person, and I don’t like serious people. I don’t see myself as a philosopher. That’s awfully boring.”

He added, “My goal is to entertain myself and others.”

He described his method of composition as “word association,” often triggered by a favorite line of poetry.

Mr. Bradbury’s passion for books found expression in his dystopian novel “Fahrenheit 451,” published in 1953. But he drew his primary inspiration from his childhood. He boasted that he had total recall of his earliest years, including the moment of his birth. Readers had no reason to doubt him. As for the protagonists of his stories, no matter how far they journeyed from home, they learned that they could never escape the past.

華氏451度 (ハヤカワ文庫 NV 106)

華氏451度 (ハヤカワ文庫 NV 106)


While Mr. Bradbury championed the space program as an adventure that humanity dared not shirk, he was content to restrict his own adventures to the realm of imagination. He lived in the same house in Los Angeles for more than 5o years, rearing four daughters with his wife, Marguerite, who died in 2003. For many years he refused to travel by plane, preferring trains, and he never learned to drive.
そういえば、マイケル・ムーアが『華氏911*1を作った頃、ブラッドベリが自分の小説のタイトルを勝手に使うなとクレイムをつけたというニュースがあって、そのときブラッドベリってまだご存命だったのねと改めて思ったということがあった。ブラッドベリの作品で読んだのは、『華氏451度』を除けば、『10月はたそがれの国』、『十月の旅人』といった初期短篇集だよなということに気づく。
10月はたそがれの国 (創元SF文庫)

10月はたそがれの国 (創元SF文庫)